Featured Collector
Edwin A. Dawes
Magician, Biochemist & Historian
Edwin A. Dawes (b. 1925) was a distinguished biochemist, magician, and one of the most influential magic historians of the 20th and 21st centuries. His lifelong passion for conjuring and scholarly research made him a leading authority in the field of magic history, contributing extensively to the preservation of its rich heritage.
Dawes’ groundbreaking contributions include his long-running column A Rich Cabinet of Magical Curiosities in The Magic Circular, which explored rare and fascinating aspects of magic’s past. His meticulously researched books, such as The Great Illusionists and Charles Bertram: The Court Conjurer, remain essential reading for collectors, historians, and enthusiasts.
Beyond magic, Dawes was a highly respected biochemist, serving as a professor at the University of Hull and authoring numerous scientific publications. His dual expertise in science and magic gave him a unique perspective, allowing him to analyze the art of illusion with academic rigor.
Recognized with numerous honors, including the Magic Circle’s prestigious John Nevil Maskelyne Award for literary excellence, Dawes’ legacy continues to inspire magicians and researchers worldwide. His contributions to the magic community endure through his extensive writings and archival work. Found an error? Please contact Us.
The Magic Collector
From the Edwin A. Dawes Collection
Silk Pistol
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Silk Pistol, ca. 1900 | Edwin A. Dawes Collection
A silk handkerchief vanishes from the funnel when the trigger is pulled. Nickel plated funnel and vintage pistol; overall length 11 ½".
Bibliographie de la Prestidigitation
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Bibliographie de la Prestidigitation, Tome 1, 1952
From the libraries of Stanley Collins and Edwin A. Dawes. Bookplates and pictorial wrappers, illustrated, 188 pages. Chips to spine and some wear to cover, otherwise in good condition.
Nesting Boxes
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Edwin A. Dawes Collection: Nest of Boxes. Circa mid-1900s. The magician vanishes a small coin and then shows the box; after removing several progressively smaller closed boxes nested within, the coin is found to have reappeared inside the smallest box. Six circular boxes with matching lids, finely turned in wood. Very good.
Ink to Goldfish
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From the Edwin A. Dawes Collection: Ink to Goldfish (Tinten Pokal). London: Inzani-Henley, 1964.
An etched glass vessel on a nickel-plated base is seen full of ink. Visibly, the black liquid becomes clear water with two goldfish swimming about inside. Based on the Klingl design.
Original instructions. Height 8 ¾”. Near fine
Card Rise Box
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From the Estate of Edwin A. Dawes. Card Rise Box. [Oldham: Michael Heriot, 1909]. Small wooden chest with brass handles finished in brown and green, into which a pack of cards (from which several have been chosen) is dropped. The box opens of its own accord minutes later, and the chosen pasteboards rise from within. With original key. 5 ½ x 4 x 5 ¼”. Refurbished to working condition in the 1970s and accompanied by a letter of provenance explaining the history of the prop and the repairs conducted.
Winder Sale of Old Conjuring Books
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The Winder Sale of Old Conjuring Books and Personal Letter
Number 219 of a limited edition of 250 signed and numbered copies. Light blue wrappers, 18 pages. This sale of Winder's conjuring books was a watershed event in the magic collecting community and changed the hobby significantly. Author Trevor Hall analyzes not only the sale prices achieved, but the relative rarity of the books themselves. A fascinating if dated look at this important auction and the collector who assembled this important library. Includes personal letter from Trevor Hall to Edwin A. Dawes.
Ernest Sewell Cabinet of Conjuring Tricks
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Edwin A. Dawes Collection: Ernest Sewell Cabinet of Conjuring Tricks. No. 3 Size. London, circa 1930s. Vintage British magic set includes metal, wooden, and paper props. Tricks such as coin and silk vanishing cylinders, enchanted ball bag, vanishing candle, linking rings, appearing flower, coin production box, pull, gimmicked playing cards, and several others. Small instruction booklet. Apparently complete. Box 13 x 11 ½ x 2”. Wear and aging to box and props as expected.
Talking Skull
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From the Edwin A. Dawes Collection: Talking Skull. Circa 1940. Papier-mâché skull mounted on a glass column atop a wooden plinth clicks its jaw in answer to questions, once for “yes” and twice for “no.” With unusual camera/flashbulb trigger mechanism in the base used to operate the device. Height 11 ¾”. Chipping to paint, otherwise very good condition.
Rapping Hand
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From the Edwin A. Dawes Collection: Rapping Hand, J. Bartl, Hamburg, ca. 1930
A beautifully painted composition hand that mysteriously taps out answers to questions—once for “yes,” twice for “no.” It rests isolated on a sheet of glass during performance, heightening the effect. Measures 8 ½” in length. The wrist bears the penciled name “Ducrot” and is stamped “Germany.” Light rubbing on the palm side, otherwise in near fine condition. From the collection of Edwin A. Dawes.
This piece was likely manufactured for export by Bartl and sent to legendary New York dealer Frank Ducrot, who ran the Hornmann Magic Co. in Manhattan.
Conjuring Books
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From the Edwin A. Dawes Collection: A Contribution to Conjuring Bibliography English Language 1580 to 1850 (inscribed and signed)
Baltimore: Edgar Heyl Conjuring Books, 1963. First edition. Number 17 of 300 copies. Inscribed by the author on the title page: For Dr. Edwin Dawes, with the sincere regards of Ed Heyl.
Comb binding with card covers; 62 single-sided pages plus an errata page. Includes Edwin A. Dawes’ bookplate.
Very good condition. Covers slightly soiled; comb binding broken in one place.
Ball Vase and Hammer
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Edwin A. Dawes Collection: Ball Vase and Hammer. London: Inzani-Henley Magic Co. Ltd., [ca. 1968]. A black ball vanishes from a turned wooden vase when hit by a wooden mallet, and can be made to reappear in a different location. Mallet 6 ½” long. Original box and instructions. Near fine.
Silk Pedestal
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From the Edwin A. Dawes Collection: Silk Pedestal. Berlin: Conradi, 1930s. Tall nickel-plated stand on which a cut crystal tumbler rests. A handkerchief vanishes, only to reappear in the glass isolated on the pedestal. Spring-loaded mechanism in good working order. Includes a finely made bottomless glass with plug by Willmann. Height of pedestal 14”